· Today I'm talking about Sweetheart, Sweetheart by Bernard Taylor from Valancourt Books: www.doorway.ru He has published ten novels under his own name, including The Godsend (), which was adapted for a major film, and Sweetheart, Sweetheart (), which Charles L. Grant has hailed as one of the finest ghost stories ever written. He has also written novels under the pseudonym Jess Foley, as well as several works of/5. A chilling story that builds slowly and inexorably towards its shocking climax, Bernard Taylor's Sweetheart, Sweetheart () has been recognized as one of the finest horror novels ever written. This edition features a new introduction by Michael Rowe/5(51).
Thus opens Bernard Taylor's chilling classic English ghost story, Sweetheart, Sweetheart, first published in , republished for the American mass-market audience by Leisure Books in , and now reissued in a handsome new edition by Valancourt Books in for a new generation to discover, cherish and thrill to. Buy Sweetheart, Sweetheart by Bernard Taylor online at Alibris. We have new and used copies available, in 8 editions - starting at $ Shop now. A chilling story that builds slowly and inexorably towards its shocking climax, Bernard Taylor's Sweetheart, Sweetheart () has been recognized as one of the finest horror novels ever written. This edition features a new introduction by Michael Rowe.
Sweetheart, Sweetheart () . Bernard Taylor. With a new introduction by Michael Rowe. Book Description. David Warwick, an Englishman living in New York, has a sudden premonition that his twin brother, Colin, is in danger. He returns to England and learns the shocking truth: both Colin and his young bride Helen have died ghastly deaths - deaths that no one in the village wants to talk about. Sweetheart, Sweetheart is a classy ghost story about a haunted cottage in the rural english countryside. new tenants, a history of violence and death, you know the drill. it features restrained and elegant writing, some wonderfully atmospheric descriptive passages, an assortment of clever hints and clues, and a perfectly accomplished first person narrative from a very intriguingly developed protagonist. there is an eerie, almost free-floating feeling of longing, melancholy, and frustration. The ’s saw the emergence and growth of King, Koontz and Herbert with their astounding debuts of Carrie, The Rats and Demon Child (Koontz writing as Deanna Dwyer and this was really his first attempt at Gothic style horror) and yet Bernard Taylor in comparison accomplished no such commercial www.doorway.ru that is unfortunate because Sweetheart, Sweetheart is one of the best written ghost stories (as distinct from horror) I have ever read.
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